Tawnee Stone Retired?

Tennessee Williams in Caracas, Venezuela

18 years ago we could have seen or met for the first and last time, but it was not. We pass from the other side of Eliseo Hotel in Manhattan, when the police took his body to the morgue. We knew it, hours later, from our apartment in Jackson Heights, Queens, after finishing a task information about the devaluation of the bolivar had decreed that President Luis Herrera Campins, because those were the times when we work to The Caracas daily, from New York.
This simple story of a journalist who did not stop, as is customary, to pry into what was happening beyond their noses, we prevented from learning more about the impact of the death of the famous playwright Tennessee Williams, or Thomas Lanier Williams III was born on March 26, 1911 in the United States, Columbus (Mississippi) and killed on February 25, 1983.
Now, to celebrate the first 100 years after his birth, clusters HEBU Caracas counterplay Theatre and Theatre of the Centennial event organized Tennessee Williams (1911-2011) with a selection of his dramaturgy. It is a festival that includes not only the season's most emblematic works of American, but also the presentation of a cycle of seven short texts of the author and three shows inspired by his stories.
So HEBU Theatre and Theatre of counterplay celebrate in style the centenary of an author who decided to break the rules of the theater of his time and take risks that are still considered as such. Talking about the homosexual condition, sex and condition of black men are the topics covered in the works of Tennessee Williams Centenary (1911-2011). The festival will take place at the Cultural Trasnocho 8 April to 24 July. Additionally there will be ten
forums covering cinema, drama and documentaries Williams about his life.
The series of events begin with the staging of A Streetcar Named Desire, which won the Pulitzer in 1958 and filmed in 1951, which premieres Friday, April 8, in the plural. Will be in theaters for 10 weeks until June 12, with features on Fridays and Saturdays at 9:00 pm and Sunday at 7:00 PM.
A Streetcar Named Desire tells the story of Blanche Dubois, a woman over 30 years of age, with delusions of grandeur, taking refuge in an invented world, arrogant and unbalanced. Having finished a history of several generations of debtors with the loss of the family farm and in youth have suffered the trauma of the suicide of her husband, is presented in the modest home of a working class neighborhood in New Orleans where her sister Stella, that is perfectly adapted to urban life and married with Polish Stanley Kowalski, a worker inconsiderate and rude, but adores her. Fastidious temperament and delusions of grandeur of Blanche collide with pragmatism to the death of his brother, the corners from the start to get to inform all that long ago ceased to be the prim which is intended, which was expelled from work to seduce children, who in his hometown is known for its sexual promiscuity and has no money, no friends millionaires as intended.
However, the version directed by Orlando Arocha has a national context and current. This is not a suburb of New Orleans, but one that is more connected to what is commonplace for Caracas. There are sounds of reggaeton, a stage in which elements are used to encode the Venezuelan piece as a whole, rather than timeless. This Tennessee Williams
Centenary (1911-2011) will simultaneously with the filing of like rain Talk to me: Seven short plays by Tennessee Williams . The presentations of this staging, directed by Diana Volpe, will be for eight weeks from 16 April to 5 June, with features on Saturdays and Sundays at 4:00 PM, in the plural.
Talk to me like the rain is a collection of texts: Tell me like rain and let me hear , Auto attests, The case of petunias trampled , I can not imagine tomorrow , The Marquise of lotion kills lice , The Long Goodbye and A perfect analysis by a parrot . Everyone talks about the loneliness, the decay of society and the pitfalls of love. After careful preparation, the cast made up of 19 players displayed their talents on stage. This cycle of short plays was part of the final sample of a workshop staging that Volpe issued in 2010. This is the reading of Williams which presents a universe of characters inherently human, damaged, brave, fallible and hopeful.
The third part of the festival is the presentation of misconduct, three shows based on stories of Tennessee Williams: Women owned (17 to 26 June), Tenn / Tom (from 1 to 10 July) and Q & Q (Queens and Queers ) 15 to 24 July) will be presented in the plural. Features: Fridays and Saturdays at 9:00 pm and Sundays at 7:00 pm. Women In
owned , Williams explores female sexuality as few writers of his time through stories uploaded and squeaky. Ricardo Nortier heads. Tenn / Tom is an autobiographical view of American author, directed by Juan Jose Martin, in which stories are intertwined in the family as a place of harmony and nostalgia, but also as a place of solitude. Q & Q is the author's homosexual side, which is revealed in these stories defiantly rude and ruthless. Bouley runs July. The festival Centennial
Tennessee Williams (1911-2011) will, in addition to performing arts events, with a series of ten films, forums about the playwright. This will take place in the Paseo Cinemas every Wednesday from May 4 to July 6. Faced with an explosion
theater of this type, one expects to enjoy the maximum, although we regret that there is no organized or anything similar to Venezuela's Cesar Rengifo, a the great fighters for the national drama. It is possible that in other times, other men, he made not one but multiple tributes to whom it has claimed the saga of popular Venezuelan civilian or military.
Who gets to bell the cat?
And the fault is not Diana Arocha Orlando Volpe or who already have enough with what they do, and they always do well also the fault of others who are like the cat Flora, to use a popular expression.

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The March 8, 1983, in Maracay, was created on March 8 Theatre group, under the influence from the statement Women's Decade (1975-1985), by the Unesco. Since then, integrated, with skilled theater people for acting, directing and playwriting, the group has staged numerous productions in theaters, plazas, streets and unconventional spaces in different regions of Venezuela, as well as in Spain and Central American countries. Maracay
The group came to Caracas to present his show Last creed, with ragged performances of Laura Vargas, Angie Chourio and Lorraine Romero, Room Cabrujas, Los Palos Grandes. After a short conversation with the director and playwright Lali Argemi Armengol, we have this interview that allows to know the important work of these valuable feminist theater people Aragua state.
- Is the only exclusive group of women in Venezuela?
"I think so. In other countries is different, as in Mexico, Colombia, England, Spain, USA and Australia. Gatherings and festivals of women evidenced. What's unique is referred to actresses, the drama and direction.
- What brought them to create a women's group and thus start a task in which they carry 28?
-Stop being spoken. Stage a different look, also opposed, it gradually internalized as a group. The value of our subjectivity, our stories and the path taken by others, faced with the place assigned to women in the world, we headed into the path of research and experimentation, social and theatrical. We take pleasure to the transgression.
"Our initial interest was vindictive, wanted to disclose the most relevant articles of the Civil Code reform, which were in and how it would affect the new legal status of women, the routine of family relationships and leave the next chapter that we included and to minors. Represented an important milestone was to get rid of some of the legal burden discriminative, only a part. The social is something else, customs, and nineteenth-century social imaginary spin still inside homes, schools, everywhere ... still missing, although the social legitimacy of the discourse of women is far less muted than when we started.
- What reactions have received from the community and other theater groups?
"In the past, in the early years of street theater picked up a little of everything, applause, bad words and bad gestures, a part of the public, especially women, grateful that we were in the street talking about our rights and legislative changes and other, was angry with our presence and speech. It was an exciting time. We invading public space. In special circumstances we threw ice, tomatoes, eggs. If not for the ice, we could imagine we were in an Elizabethan theater.
"As data on stage Maracay, 26 years ago, the theater group decided to found the Casa de la Mujer Juana Ramírez, an NGO working in terms of women's human rights and the specific area of \u200b\u200bcare and prevention violence against women.
"We have a Maracay public that follows us - that from 1992 we will see in theaters and soon on the streets, and scenic values \u200b\u200band discursive our proposals. With theater groups in the region have always shared amicably and professionally, occasional disqualification, but I do not remember. For the theater industry in general are not any reference. Making Theatre from a feminist perspective, it seems not wake up "curiosity" beyond our scope.
- Are you aware that gender makes a theater, a theater or female?
"We place ourselves in the stream of feminist theater. Women's theater does not tell us anything, or if you say, we did not identify. It sounds something like the eternal feminine and stuff. In our situation in Venezuela and Latin America - as ruthless for women - one wonders how the feminist theater has permeated the theatrical creation, while the production with gender stereotypes, dosed with something that seems liberating or "pop", with the intention to continue saying the same thing can be so successful. Well, it's a way to locate socially and theatrically.
- Do you identify with feminism?
-Si. It is a civilizational challenge. A model bloodless, indeed.
- And the play about cross-dressing and / or transsexuality as contemplated?
"We have not done works touching on themes of LGBT communities. I have some references to groups that address this reality with the aim of raising awareness, sharing and make it visible and others, to cause reflections on our concept of gender construction. One way to challenge the binary male / female and criticize the machismo. Marked Hernan is the author of an excellent investigation of theatrical transvestism.
- What do they expect the theater and why are not delivered to the movies? First
-cultural policies change annihilating. Meanwhile, continue doing theater of resistance. It is unthinkable to sacrifice the pleasure of creating and providing the appropriate process of its own discourse, which crosses the way of seeing and being and has no end.
"The theater is one of our facilities to continue in the attempt to confine the" Aristotle " then and now, builders, experts apostles misogyny. Cinema is an open door. At this moment there is nothing concrete.
- What is the intellectual position to the status of women in Venezuela and the world ?
"The difference that makes sex between men and women are reversed in a socially constructed inequality. Western patriarchal society is working with strategic ways to deny or to lose track of what they claim or what happens to women, is a repetitive story. Each historical-political stage is how to intervene to mask what we imagine to be and what we really are. At this point, for example, women should be a show for others.
"The general ignorance of the history of women, that the feminist researchers, historians, painters, writers, photographers and playwrights are dragging out, the lack of real power, the absence in positions of power, the body confiscated with the habit of denying or naturalize dissatisfaction, or brutal situations and their consequences in real and symbolic death, strengthened the culture of denial, concealment and silence of desire. Trace this history is still a challenge for a large majority of women at the time called for the release of women and revolution technology. The reality of the women in patriarchal cultures, not Western, still we can talk about the naturalization of more violence and limitations.
- What is its intellectual position to the social condition of man in Venezuela and the world?
-Traditional masculinity is being challenged - as femininity-by men who are rethinking how patterns heirs tax. They are also tired of the patriarchal model, which demands a way of being, thinking, feeling and willing. I do not mean those who speak of their changes because they wash dishes or cook, this is something internal, transcendental.
- What are your plans for coming years?
"The plans start with the wishes ... we want to show the work we do at home and out without so many difficulties and limitations and have a theatrical magic grotto. Itziar Elizondo says to put words and statements to the silence is a collective duty and civilization, both in the theater, literature, visual media. I agree.
- Friends or rivals of his fellow theater people?
"Nothing to see. We scored in the rivalry, is an energy drain.
"He said that the women are actresses for their equal social status and sexual Do you agree with that? "What a question
as paradoxical ... Is it biblical books or confessions of the Inquisition?

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Esmeralda Lands - The Magic of Pilar Alberdi area. Lilith

Pilar Alberdi communicated with me recently to share with me her latest posts within the youth and children's literature.

The first of the newly published titles are: Land Esmeralda - The Magic Sphere , where numerous characters face the dark world represented by Tenébrus and his henchmen.

While in the Land of Emerald residents have realized that a book is worth a library and a person like all of them, in the neighboring dark world, the darkness lurks at every turn.

Can teenagers and an old restore hope to the towns? And what do you do with this story Tilsmans these young fliers? To find out just have to open the book to the first page.

A magical world, classical and medieval, where wonder becomes real.

certainly a work that will fascinate all lovers of fantasy literature.

And for smaller, Pilar Alberdi also has a tender and beautiful story, titled Wings ,
published by the editorial Casals.

This is the story of a boy and a butterfly ... But the story is not simple .... So ... let's start over: this is the real story as magical as a child, a butterfly, an antiques dealer, a town ...

From here I wish this prolific author, great successes and continue to fill our lives and our imagination with these stories filled with magic, tenderness and imagination.

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Discussion "Term, projection and puppetry tasks in today's society" Tribute

under the VIII Meeting with Puppets for World Puppet Day Discussion "Force, Force Projection and Puppet Theatre in today's society involving Victor Vesga (Granite Cafecito) Ernesto Ráez (ENSAD) Martin Molina (Tárbol Puppet theater - Anaracos) addition Documentary Screening "Sarah Bianchi, a woman out of time" FREE ENTRY Tuesday March 22, 2011 7:00 pm . the Chamber Theatre "Ricardo Roca Rey" of A ssociation of A rtistas A ficionados Jr. Ica 323 Lima Cercado, side of the Municipal Theater, two blocks from the Metro Station Tacna

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not Valdivieso World Puppet Day

For World Puppet Day

Tribute Valdivieso not

Kusi Kusi Group Organizes

Monday March 21, 2011

5:00 pm.

(Exact Time)

in the group room Kusi Kusi

Basement La Cabaña, Exposition Park, Cercado de Lima

opening a space to remember this historic Peruvian puppeteer and recognize their contribution to puppetry in the country,

also Puppet theater presentations

Join Free

Ño Valdivieso

In the nineteenth century featured a character almost great, Manuel Valdivieso, known as non Valdivieso. A smart young man, though ignorant, black, tall, thin, funny by nature, saddler by profession who was the delight of many generations of children.
created national rates and original farce true merit. With great love and patience to get a technique proposed appropriate, making himself his puppets and finding ways to encourage them with rods and wires. Well established characters, like Don Silverio, Mom gerund Orejoncito, Chocolatito copy of the neighborhood residents. Thus came to be over three hundred characters, with all the neighbors. With them was their perfect farce that started to amuse in the corrals and houses in the neighborhood, then in public service in the then well-known living CAPELLA very views, both by children and adults to enjoy the characters and occurrences . Don Silverio
large clear jar and pants, long coat and husky voice, eternal discontent, a good drinker and savior of the fatherland words. Mom was also gerund, fat, glitzy, gossipy and perfumed clothes lover, grumpy and in a perpetual fight with Don Silverio. Was Porotito, Zambito mixture of mischievous, vain and effeminate. Chocolatito, funny and witty, and so on. Not content with its sham Ño Valdivieso full of social criticism and more skilled in the art of puppets, made certain works great show, as THE BATTLE OF MAY 2 filled with wonder that despite the deficiencies, taking into account poverty and lack of instruction not Valdivieso could not be better. There was also the bullfight in which the loser comic was the bullfighter, and the circus with his unfailing acrobat who charmed with their jumps and had the height of admiration when she was headless, and began to play with her feet. Non
Valdivieso fame spread to the fashionable neighborhoods of Lima, which began requesting their services, but with the express condition that moderate their language and stop making outrageous, then concurred Valdivieso at birthday parties and their behavior was not always very modest. He could never hide what it really was her grace and Creole. Finding ways to express them with different audiences. Would add, sometimes, the scorn and sarcasm to embarrass the diverting.

The poet José Gálvez says of him, recalling his childhood that was forever amazed by the puppets of Valdivieso, "" It was a bohemian (...) original, a great soul artist incomplete because of ignorance, but largely intuitive, a healthy spirit, a joyful and generous heart who knew how to spread like a sower, joy among children ... and who knew how to be kind to small, well deserves the older and do not forget the children and for solace of bitterness, take pleasure in reviving it, from time to time, whenever possible, he paid tribute simple and pure, with purity and simplicity with which it did in the early years.

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carrot and magic in the Municipal Library of Puerto del Rosario.

The Public Library Puerto del Rosario in Fuerteventura, begins a new season of activities within program to encourage reading.

This center will be open every Saturday, to present different activities ranging from puppet theater, storytelling and drama, directed especially for family audiences. Activities which in turn, are framed within the XXII Fuerteventura Book Fair.

Charming Tales opens its season this year with his puppet show: Lilith and carrot magic next Saturday 19 at 10:30 am and will return in October with a new creation of storytelling entitled Five stories and an elf.

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Guille and Snow White's stepmother in The Village.

occasion of the Carnival, Charming Tales will stage one of his last shows:
Guille and stepmother in Snow White La Aldea de San Nicolas de Tolentino.

As I have said on other occasions, this show was inspired by the stars, more specifically in the constellation Cassiopeia and its history. His characters not only tell a mythical tale that has some similarities to the classic tale of Snow White , but also travel to the moon for all of us live the dream of its protagonist: Guille.

This year's theme chosen by the municipality of the village to recreate their Carnival has been the space and see, the story of Guille them come in handy. The appointment will

this Wednesday, 16 March at 11:30 pm in the Plaza Nueva , organized by the Department of Culture and Celebration Hall.

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VIII Meeting with Puppets for World Puppet Day Call

nine years ago instituted the World Puppet Day, since March 21 is a day to celebrate and thank the presence and existence of these wonderful beings.

In Lima the Anaracos Puppeteers Collective with the support of Amateur Artists Association, the Kusi Kusi Group, the Peruvian-Japanese Cultural Center and Cultural Center Avernus undertake the Eighth version of "Meet the Puppets" by World Puppet Day 2011 with a series of activities aimed at promoting a Puppets meeting with the public, with the beginner in this art and the puppeteers themselves making a space for celebration, teaching and reflection .

With the realization that even our art is not valued in the measured, there is great ignorance around him, and taking place under extremely difficult in an environment not conducive to art, but despite that is done, is done with enthusiasm and conviction, to be providing security to build a better world from our position as artists.

celebrate World Puppet Day sharing with the public various manifestations of this art to consolidate the presence of the Puppets in Peruvian society and the validity and necessity of team work around him.

Programming:

Activities Amateur Artists Association

Jr. Ica 323 Lima Cercado, next to the Teatro Municipal

Sunday March 20, 2011

11 : 00 am. to 6:00 pm.

Titeril Marathon, continuous functions with the following groups:

• Mi Casa Encantada,
• Button,
• dreamcatcher,
• Granite Cafecito,
• tree T Puppet Theatre,
• P epithelial Ron,
• Moth ,
• Castor,
• Project Butterfly - eclectic art -
• Illarymuyruna.

Parade with Grupo Yawar

Ritual Pachamama for the Autumn Equinox

Projection Vid eos

Titeril Fair to sell: Puppet Publications , Videos and related materials.

General Admission S /. 5

With an entry you can see all functions

Tuesday March 22, 2011

7:00 pm. Discussion

"Force, Force Projection and Puppet Theatre in modern society"

Documentary Screening

" Sarah Bianchi, a woman out of time"

Join Free

Wednesday March 23, 2011

7:30 pm.

Adult Puppet

Ron

Pepito has

Moska-K

The Moska I wanted to be president

Join Free

Departure hat

Activities Board Kusi Kusi group

Exposition Park (Back of The Shack) Lima Cercado

Monday 21 March 2011
5:00 pm. (Exact Time)

Tribute to the Master Puppeteer
Ño Valdiviezo
Kusi Kusi
Group Organizes
Join Free

Activities at the Cultural Center "The Underworld"

238 Lima Cercado Jr. Quillca

Thursday March 24, 2011

7:30 pm.

Adult Puppet

with the participation of groups:

• Tárbol puppetry
• Pepito Ron
• Moth

General Admission

S /. 3

Activities Peruvian-Japanese Cultural Center

Av Gregorio Escobedo 803, Jesus Maria

Puppetry functions with different groups

Sunday 13 , 20 and March 27, 2011

4:00 pm.

Join Free

reports of all activities
anaracostiteres@yahoo.es
997621706

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National Meeting in Tornameza

PROPOSAL FOR THE 1 st National Meeting of Puppeteers

Dates: from 21 to 24 April

Place: " House of puppeteers" of Tornameza

· ; Idea

Three days ... 3 nights ... for a gathering of puppeteers, with moments of celebration, moments of coexistence moments of debate, learn, teach, share, exchange ...

order to consolidate lasos between different players.

A space for discussing issues that concern us, a place to help us grow.

organization

The idea is that is participatory, " House of Puppeteers" puts the physical space to hold the meeting and the initial idea, but would like be a participatory process that involved the trade partners before, during and after the event ...

Proposed activities

· 3 courses of 3 hours per set.

· 2 lectures defined.

· 2 Talks, define issues and who would be responsible for moderating.

· 1 tribute to puppeteer or puppet or company conference by

· ; 1 Gala, the idea is to present some short numbers of participants, we could have Tornameza community and public.

· 1 Function of the honorees is or any international company is currently in Lima. Could count as community Tornameza public.

Program activities

afternoon Thursday 21

· welcome participants

· Installation Camp

· Bonfire Dinner

Friday 22

· ; from 8 pm to 10 pm Breakfast

· from 10 pm to 1 pm Course *

· from 1 pm to 2 pm Lunch

· of 2 pm to 3 pm Walk

· from 3 pm to 6 pm Course *

· ; to 6 pm to 8 pm gala Preparation

· 8 pm Gala *

· 10 pm Dinner and Bonfire

Saturday 23

· from 8 pm to 10 pm Breakfast

· of 10 to 11

Conference *

· from 11 pm to 1 pm Talk *

· from 1 pm to 2 pm Lunch

· from 2 pm to 3 Paseo pm

· from 3pm to 6 pm Course *

· 8 pm Tribute to Puppeteers *

· ; 8.30 pm Function *

· 10 pm Dinner with Bonfire

Sunday 24

· from 8 pm to 10 pm Breakfast

· of 10 to 11 conference *

· from 11 pm to 1 pm Talk *

· 1 pm Farewell lunch

" House of Puppeteers" provides activity facilities:

· rehearsal,

· outdoor amphitheater

· garden

· dining area

· bathrooms

· stereo

· Internet computer.

· chairs for participants

For accommodation we have the camping Tornameza. For older

handle some beds in my house.

Participating Partners are directly or indirectly to the puppet world.

Financing

The idea is to generate a non-profit event but self-financing, covering the costs of peer to engage in the activity; organizers, teachers lecturers, moderators ...

Transport

can be arranged with one or more combinations to transport participants and Tornameza Tornameza Lima Lima. Price return 20 soles.

If you want to participate contact the following e-mail for further information and / or registration forms

lacasadelostitiriteros@gmail.com

titeresgranitocafecito@yahoo.com

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Puppeteers message World Puppet Day 2011 celebrations

Here I am in the city of Omsk in Western Siberia. Activity in the Ethnographic Museum. Suddenly my eyes are attracted by the case where there are dozens of figures, it is Finno-Ugric tribes idols: the Menses and Chantes-that seem to greet each visitor. An inner drive pushes me to answer and I salute you as well. They are magnificent. Represent a permanent trace of the spirituality of early human generations. It is they and their imaginary world, which are the source of the first demonstrations and theatrical images, both sacred and profane.
art collections are full of idols and sacred figures gradually disappear from our memory. However, in this museum, there are also puppet shows, which keep the imprint of the hands of its creators and their handlers. In other words, keep those hands in the footsteps of the skill, imagination and human spirituality. Puppet collections exist in all continents and in almost all countries. Are proud to collectors. Research are places that keep the memory alive by providing an important test of the diversity of our discipline.
Art, like many other human activities, is subject to two trends: standardization and differentiation. Today we see that the two trends coexist at the activity level cultural. We can clearly see that the great facility to travel both by air and on the network, increase the number of contacts in various congresses and festivals, which leads to greater uniformity. Soon we will live in the city really McLuhan global.
This does not mean that we completely lost the sense of cultural difference but rather that a large number of theater companies now used similar expression means. Puppet styles such as Japanese or ningyo joruri wayang of Indonesia have been similar in Europe and America. At the same time, groups either Asian or African marionetísticas techniques used in Europe.
My friends tell me that if a young Japanese artist can be a virtuoso performing works by Chopin, an American may well become a teacher or a dalang joruri playing wayang purva. I would agree with them on condition that the puppeteer assimilate, not only technique but also bunraku whole culture that is associated.
Many artists are satisfied with the exterior beauty of the puppet who nevertheless gives viewers the chance to discover different art forms. In this way the puppet invade new territory. Even within the theater actor, has become a source of mixed metaphors.
This great expansion of the puppet figurative former is linked to a move inversely proportional to the space formerly occupied. This is due to the great invasion of the object and, on a larger scale to anything that touches the subject. For every object, all matter, subject to an animation, talks and demanding the right to theatrical life. So, from now on, the object replaces the figurative puppet, opening the artists a way to a new poetic language, to a creation that involves rich and dynamic images.
The imagery and metaphors in the past, have been characteristic of each type of puppet, differing from each other, have become today, the source expression of each individual puppet. So there is a new unique poetic language does not depend on the generic tradition but the talent of the artist., Their individual creativity. The standardization of means of expression.
has spawned its differentiation. The McLuhan global city has become its antipode. The different means of expression have become the instruments of the individual word that always prefer original solutions. Clearly, the figurative tradition of puppetry has not disappeared from our horizon. And we want to remain forever as a valuable reference.

Henryk Jurkowski

Te Sanye Anti Adipose

In Huacho World Puppet Day

Activities for World Puppet

in Huacho

Coordinates Prof. Mario E. Herrera Asm .- Director of Puppets "Antarita"

Programming

DATE: Saturday March 19, 2011

GROUP: MIMO PILOT SCHOOL AND PUPPETS - LIMA

WORK: "CHANCHURI BREAD SOAKED IN THE COUNTRY THE 7 PLAGUES AND MONSTERS 9 "

. Local: Teatro del Barrio (district of Santa Maria, San Lorenzo 1st Stage).

Time: 4 pm.

Organizes and coordinates

Mr. Julio Montesinos.

DATE: Sunday, March 20, 2011

GROUP: CENTER OF THEATRE OF PUPPETS "ANTARITA" - HUACHO

PROJECT: "BASUMON, EL MONSTER THE DUMP. "

Local: House of Culture of the Provincial Municipality of Huaura.-HUACHO

Mariscal Castilla 163 .- Huacho.

Time: 4 pm.

Organizes and coordinates .- Mr. Mario E. Asin Herrera

sponsorship and support: Head of the House of Culture Mr. Miguel Angel Flores.

; DATE: Monday March 21 Time 11 am.

GROUP: THEATRE AND MIMO "THE SUITCASE"

PRESENTS: THE ANT AND THE CICADA

Local " shicras "Leoncio Prado and Bolivar.

Time: 11 AM.

Organizes and coordinates

Mr. Cesar Andrade

Furthermore there will be interviews with radio, newspaper, magazines and TV to spread the puppets in Peru.

a hug to all the puppeteers OF ALL DEPARTMENTS AND PROVINCES OF PERU. ALWAYS

UNITED ART BY WIRE.

opportunities will be doing to reach the global message of the puppet.

Mario Herrera

Director of Puppets ANTARITA

Huacho-PERU.

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problems with our mail.

We had a problem of identity theft with our email, so it is possible that some of our contacts have received unwanted messages, so from here I apologize and explain that the problem is solved. I also

tell if someone has contacted us on this path and has received no response, is also due to this issue.

Therefore, Charming Tales soon migrate your domain to another server.
again reiterate my apology to anyone who was affected. We continue our work, which is to tell stories and at no time our company has sent or is in favor of spam.

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How to make a head mold (Part IV). Charming Tales

We finally arrived at the part where you really begin to create our papier mache head.

Why with paper mache? simply because it is one of the most economical methods exist to model heads.

We have on hand: white paper napkins, wrapping paper or heavy pack, a plastic dish or similar container, glue to paper (also called wall paper paste) and our plaster cast.

1. Sufficient mixing wallpaper glue in a bowl with water, the mixture should have a consistency of thick cream.
2. Napkins cut into small pieces.
3. We spent slightly these strips in wallpaper glue and little by little we put into our mold, slightly overlapping each other.
4. Cut, but not to hand scissors, paper for packing into small pieces and put them in a container with water to soften a bit.

5. When well soaked, squeeze out excess water and we had also the tail to paper and then to our mold, overlapping strips.

be needed about 5 or 6 layers so that our head acquires the proper thickness and wait for them all to dry before finally cast them out.