For World Puppet Day
Tribute Valdivieso not
Kusi Kusi Group Organizes
Monday March 21, 2011
5:00 pm.
(Exact Time)
in the group room Kusi Kusi
Basement La Cabaña, Exposition Park, Cercado de Lima
opening a space to remember this historic Peruvian puppeteer and recognize their contribution to puppetry in the country,
also Puppet theater presentations
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Ño Valdivieso
In the nineteenth century featured a character almost great, Manuel Valdivieso, known as non Valdivieso. A smart young man, though ignorant, black, tall, thin, funny by nature, saddler by profession who was the delight of many generations of children.
created national rates and original farce true merit. With great love and patience to get a technique proposed appropriate, making himself his puppets and finding ways to encourage them with rods and wires. Well established characters, like Don Silverio, Mom gerund Orejoncito, Chocolatito copy of the neighborhood residents. Thus came to be over three hundred characters, with all the neighbors. With them was their perfect farce that started to amuse in the corrals and houses in the neighborhood, then in public service in the then well-known living CAPELLA very views, both by children and adults to enjoy the characters and occurrences . Don Silverio
large clear jar and pants, long coat and husky voice, eternal discontent, a good drinker and savior of the fatherland words. Mom was also gerund, fat, glitzy, gossipy and perfumed clothes lover, grumpy and in a perpetual fight with Don Silverio. Was Porotito, Zambito mixture of mischievous, vain and effeminate. Chocolatito, funny and witty, and so on. Not content with its sham Ño Valdivieso full of social criticism and more skilled in the art of puppets, made certain works great show, as THE BATTLE OF MAY 2 filled with wonder that despite the deficiencies, taking into account poverty and lack of instruction not Valdivieso could not be better. There was also the bullfight in which the loser comic was the bullfighter, and the circus with his unfailing acrobat who charmed with their jumps and had the height of admiration when she was headless, and began to play with her feet. Non
Valdivieso fame spread to the fashionable neighborhoods of Lima, which began requesting their services, but with the express condition that moderate their language and stop making outrageous, then concurred Valdivieso at birthday parties and their behavior was not always very modest. He could never hide what it really was her grace and Creole. Finding ways to express them with different audiences. Would add, sometimes, the scorn and sarcasm to embarrass the diverting.
created national rates and original farce true merit. With great love and patience to get a technique proposed appropriate, making himself his puppets and finding ways to encourage them with rods and wires. Well established characters, like Don Silverio, Mom gerund Orejoncito, Chocolatito copy of the neighborhood residents. Thus came to be over three hundred characters, with all the neighbors. With them was their perfect farce that started to amuse in the corrals and houses in the neighborhood, then in public service in the then well-known living CAPELLA very views, both by children and adults to enjoy the characters and occurrences . Don Silverio
large clear jar and pants, long coat and husky voice, eternal discontent, a good drinker and savior of the fatherland words. Mom was also gerund, fat, glitzy, gossipy and perfumed clothes lover, grumpy and in a perpetual fight with Don Silverio. Was Porotito, Zambito mixture of mischievous, vain and effeminate. Chocolatito, funny and witty, and so on. Not content with its sham Ño Valdivieso full of social criticism and more skilled in the art of puppets, made certain works great show, as THE BATTLE OF MAY 2 filled with wonder that despite the deficiencies, taking into account poverty and lack of instruction not Valdivieso could not be better. There was also the bullfight in which the loser comic was the bullfighter, and the circus with his unfailing acrobat who charmed with their jumps and had the height of admiration when she was headless, and began to play with her feet. Non
Valdivieso fame spread to the fashionable neighborhoods of Lima, which began requesting their services, but with the express condition that moderate their language and stop making outrageous, then concurred Valdivieso at birthday parties and their behavior was not always very modest. He could never hide what it really was her grace and Creole. Finding ways to express them with different audiences. Would add, sometimes, the scorn and sarcasm to embarrass the diverting.
The poet José Gálvez says of him, recalling his childhood that was forever amazed by the puppets of Valdivieso, "" It was a bohemian (...) original, a great soul artist incomplete because of ignorance, but largely intuitive, a healthy spirit, a joyful and generous heart who knew how to spread like a sower, joy among children ... and who knew how to be kind to small, well deserves the older and do not forget the children and for solace of bitterness, take pleasure in reviving it, from time to time, whenever possible, he paid tribute simple and pure, with purity and simplicity with which it did in the early years.
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